Welcome!

Thank you for your interest in New Hampshire Academie of Dance! Whether you are a new or returning student, we are excited to show you our offerings for the season!

We strive to provide the highest level of training in a positive and developmental environment for our studios. We feature an all adult faculty for every level of instruction and are committed to creating a safe, fun and positive place for all ages to acquire a love and appreciation for movement, art, expression, and dance.

NH Academie of Dance caters to recreational, competitive, and pre-professional dancers. We believe that all dancers are artists and athletes and aim to allow students to explore movement by strengthening their bodies through superior training first in ballet and then all dance forms. We LOVE to dance, and most importantly we strive to create a fun environment where we can pass that love along to our students.

We are pleased to be able to provide our dancers with four spacious studios, all equipped with floating dance floors. Well lit parking, a convenient location, and a large waiting area are favorites among our parents. For the convenience of our dancers, we offer dressing areas, microwave/refrigerator/toaster for student use, and offer drinks and snacks for purchase onsite. We make dancewear purchases easy, affordable, and hassle-free by doing the work for you upon registration.

We invite you to find out how much fun dancing can be! Whether you are looking for an enriching recreational activity, exercise or serious training for your blossoming dancer, we are confident that New Hampshire Academie of Dance will meet your needs! Come on down to tour our facility, register for classes, order dancewear, or just to check us out!

We look forward to seeing you soon!

Why Our Studio?

We are serious about what we do and take great care to provide top quality dance education for all ages and levels in a friendly environment. We are ecstatic that our kids love to come to dance class! We feel priveleged to be able to take part in shaping young minds and pass on to them a love for the arts and for movement. We hope that our classes will provide more than just an education in dance, but also teach our students about teamwork, discipline, and commitment. Our comprehensive schedule covers as many disciplines as possible and offers a great deal of variety for all levels of dancers!

Our philosophy

Dancers are artists and athletes. In order to build a dancer we must focus on artistry, athleticism, and inner strength. We achieve this by allowing students to explore their inner selves and interpret music through dance, strengthening their bodies through superior training first in ballet and then all dance forms, and by providing a nurturing and positive environment in which our students can flourish.

Our Mission

New Hampshire Academie of Dance will provide the highest level of training while providing a positive and developmental environment for its students, achieving the status of being the most well-respected and successful dance studio in Southern New Hampshire.

Our Facilities

  • Four Spacious Studios
  • Floating dance floors
  • Ample, free, well-lit parking
  • Convenient location
  • Air conditioned
  • Dressing Areas
  • Large, comfortable waiting area
  • Microwave, Toaster, Refrigerator available for student use
  • Drinks and Snacks available on site
  • Dance Shoes and Dancewear available for special order

Curriculum

Dance:
An art performed by individuals or groups of human beings, in which the human body is the instrument and movement is the medium. Dance is commonly performed to music or other rhythmic accompaniment. Dance has as a primary purpose the expression of inner feelings and emotions, although it is often performed for social, ritual, entertainment or other purposes.

Our Programme:

New Hampshire Academie of Dance provides quality dance education for students of all ages and levels. Our youngest students are 2 years old, and we teach up to adult and professional levels. Some of our dancers are recreational, while others are pursuing a pre-professional programme with the goal of a career in dance or dance education. Whenever possible, there are beginning, intermediate, and advanced levels of each dance discipline for each age group in each discipline of dance. The director and staff will work with you to determine the appropriate level for each student to determine the most beneficial programme of study for the individual student's needs and goals.

Tap:

Step dance tapped out audibly by means of shoes with hard soles or soles and heels to which taps have been added. Our tap program focuses on a combination of classical and rhythm styles. Beginning students become acquainted with basic movements of the leg, foot, and shoe and learn to dance rhythmically. Intermediate students begin to build an extensive tap vocabulary and explore more complex rhythm patterns. Advanced programs include trick or flash steps, complex rhythm combinations, and more extensive tap vocabulary. Tap training may begin at age 3.

Ballet:

The foundation of all Western Theatrical Dance in which conventional poses and steps are combined with light flowing figures (as leaps and turns). Ballet classes begin with training at the barre to practice proper body placement, warm and strengthen muscles, and build technique that is brought to the center. In the center, dancers work on adagio (slow, controlled movements that combine strength and flexibility), petit allegro (small, quick jumps that build speed and ease of motion), allegro (more dramatic movements that are a natural extension of petit allegro), and grand allegro (large, spectacular steps that use a combination of skills learned throughout class). In our intermediate and advanced level classes, strength and flexibility training are incorporated to supplement technique. We teach a combination of ballet methods including RAD, Vaganova, and Cecchetti. RAD exams are available for students who wish to pursue them. Ballet training begins as early as age 3.

Pointe:

The raising of the body to the tips of one's toes, also used in the singular 'sur la pointe'. First introduced in the 1820s or early 1830s. Pointe dancers must have studied dance for a minimum of four years and study ballet at least twice each week. Dancers will not be permitted to begin pointe until age 12 or 13. When the teacher feels a student is ready to train for pointe work, she will be asked to study ballet en demi pointe for a minimum of six months. When the teacher sees the required strength of the foot, the student will be instructed in where to obtain a proper pointe fitting. In order to remain en pointe, the student must maintain good attendance in at least two ballet classes per week.

Jazz:

Dancing to a kind of music in which the accents fall at unusual places. It is native to the U.S., where it developed from ragtime. The players slide from tone to tone, introduced independent tones, and initiate vocal effects with their instruments. Our jazz program is influenced by a number of methods and styles including classical, theater/cabaret, funk, and Fosse. The jazz class begins with a choreographed warm-up followed by isolations, technique across the floor, turns, jumps, and choreography. Jazz training is begun in creative movement class. At ages 5-6 students generally move into jazz curriculum.

Lyrical:

A combination of ballet, jazz, and modern dance in which the dancer's primary objective is to tell a story or convey emotions. Lyrical classes begin with an alternating bar/center warmup and is followed by technique/turns/jumps across the floor, floorwork, and choreography. Emphasis is placed on interpreting the musical selection. Lyrical training may begin as early as ages 6-7.

Modern:

Name given to a dance tradition that arose as a reaction to ballet. It also arose out of a desire to express things and feelings that were thought appropriate to the new century, things that, it was felt, the traditional ballet vocabulary couldn't express. It rejected many of the conventions of ballet--turnout, pointed feet, the stated positions, the attempt to defy gravity with leaps and other steps of elevation, dancing on pointe, the use of ballet shoes, and so on. Warm up, technique, and choreography are covered in each class. Modern training begins at age 9.

Musical Theater:

Combines the skills of dance (with a heavy emphasis on jazz and tap) with drama and in some cases, voice. Specialized exercises will teach students how to project emotions to an audience. A variety of theater and cinematic themes are explored through choreography. Musical theater is covered in jazz classes until age 9. At this point, the student may decide to take a specialized class in this discipline.

Acro:

The floor exercise portion of a traditional gymnastics program combined with and connected by basic jazz dance technique. For the aspiring acrobat, this program will teach tumbling technique accompanied by grace and expression. For aspiring dancers, acro helps to keep them strong and limber. Our acro programs begin at age 3-4.

Hip-Hop:

A type of dance that arose in reaction to emerging music trends of the late 20th century. Sharp and fluid movements are combined to create a unique style many times incorporating the use of popping and locking movements. Hip hop is commonly seen in the music industry. Hip hop classes begin with a warm-up and progress toward isolations and coordination exercises, short combinations, floorwork, and routines. Hip hop classes may be taken starting at age 9.

Vocal:

Students may participate in a group chorus lesson and/or private vocal instruction. In addition to vocal technique and training, students will learn the basics of music theory.

Pre-school:

Our pre-school classes are geared toward ages 3-5. This class is split into ballet and tap. The class explores the very basic movements of dance and learn the workings of a dance class atmosphere. Games, songs, and other learning tools may be incorporated to engage children.

Primary:

This class welcomes children ages 4-6, and is the next natural progression following preschool classes. Comprised of ballet and tap technique, the class explores upbeat movements and expression through dance. Games and songs will help children to relate to the technique.

History

NH Academie of Dance was founded in 1967 by Judith Mailhot. Mrs. Mailhot and her family ran the dance studio until 2003, when it was purchased by the principle instructor, Laura Foti.

Director

Laura Foti began her early training at the Elaine McLeod Dance Studio. Two years later, Mrs. Foti began to train at the Clay School of Dance. Throughout her later training she was also taught by Laurie Clay (Boston Ballet), C. Larry Robertson (University of NH), and Michelle Tolson (Radio City Rockettes). At age twelve, Mrs. Foti began to train as an assistant dance instructor and continued assisting until age nineteen. She was hired by New Hampshire Academie of Dance in 2000, and became the principle instructor in 2001. She has participated in over 100 master classes with such greats as Edward Vilella, Al Gilbert, Frank Hatchett, Leslie Browne, Janice Barringer, Joe Lanteri, Bob Rizzo, Pete Rose, David Howard, Debbi Dee, and many more. Mrs. Foti danced competitively in the Miss America program, earning enough money to fund almost her entire college education. She danced her way to the titles of Miss Manchester, Miss Nashua, Miss Merrimack, and Miss Greater Derry and was a finalist for the title of Miss New Hampshire. With over fifteen years of dance teaching experience, Mrs. Foti also hold business and computer degrees. She has been a member of the National Dance Education Organization and the Professional Dance Teacher's Association. She brings a love and enthusiasm for dance together with technical dance expertise that create an unequalled experience for her students.

Faculty

  • Janine Anderson
  • Carolyn Brown
  • Danielle Cowan
  • Cookie Diozzi
  • Leo Donahue
  • Laura Foti
  • Shelby Lambert
Office Staff
  • Michael Demarco
  • Cheryl Donahue
And don't forget our great assistant instructors!